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The album undoubtedly doesn’t present the music in its strongest light – a fair bit could be trimmed from the middle section for a better listening experience – but it’s got good themes, exciting action music and as I said at the start, it doesn’t sound like you would expect it to, which is not something you could often say about a major score by an A-list film composer as established as James Newton Howard is. James Southall of Movie Wave wrote "The score isn’t as consistently full-bodied as Maleficent but it’s probably Howard’s most entertaining since then. Zanobard Reviews gave 6/10 to the score saying "James Newton Howard’s Raya And The Last Dragon is a disappointingly forgetful affair a score consisting of an intriguing and at points genuinely breathtaking orchestral style but sadly very little substance bar a short and simple main theme that makes few appearances on album." Music critic Alex Reif called the score as "masterful, delivering a score that is as varied as the film itself". Ī cover of "Lead My Way", performed by K-pop musician Hyojung was released on March 5, 2021.
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She liked its messages of trust as well as coming together and uniting to change the world when feeling weak and alone. In a press release, Tandingan said she was grateful and proud to be singing in her native language as well as singing in a Disney film. Allie Benedicto, studio marketing head of Disney Philippines, said the song "demonstrates our commitment to work with local creative talents to tell our stories in a locally relevant manner". The track, the Filipino version of "Lead the Way", would be part of the film's soundtrack for the Filipino dub of the film.
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On March 2, 2021, Disney Studios Philippines announced Filipina singer KZ Tandingan would be singing " Gabay" (Guide), Disney's first-ever Filipino-language song. The preview of the single was announced a week prior, on February 19, and the music video was released on March 4. It features 23 tracks from Howard's song, including "Lead the Way", a single performed by Jhené Aiko was featured in the end credits. The score was released by Walt Disney Records on February 26, 2021, a week ahead of the film's release. In some cases, Howard used samples his crew put together in the final mixing. Alan Meyerson worked on the sound mixing. However, the capacity of the orchestra members were limited to 40 players per time, meaning that each of the musicians were doubled in the sound mixing to make it sound bigger than the orchestral music. The recording began in October 2020 after the re-opening of Sony Scoring Stage, which was temporarily closed as a result of the lockdown restrictions. ĭue to the COVID-19 pandemic lockdown, film productions came into halt, delaying the scoring process. Vocal harmonies were provided by New York-based singer Loire, who provided the war chants.
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In addition, he also used various percussion instruments such as, skin drums, hand drums and rattles, a rarity in western music. He used a Balinese jaw harp called genggong for the prologue theme. Howard also expressed about the difficulties he had on creating the 5-minute prologue as it was not only conveying the main themes, but also setting the tone. The first theme he wrote for the film, was the main theme "Running on Raindrops". The score has a "non-specific South Asian feel, while also having a touch of Indonesian gamelan" as well as "instruments originated from China to Vietnam, though many of them sound similar". Don Hall presented him storyboards, rough animation and character sketches, prior to his inclusion and Howard felt that "Somehow or another, you get used to it and you find yourself becoming moved by a couple of static drawings of the characters if the music is working". James Newton Howard signed the project in November 2019, while he was also scoring for Paul Greengrass' News of the World (2020). James Newton Howard, on scoring Raya and the Last Dragon.
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It’s at least 50% electronics, with lots of exotic sounds in there, and I think it’s really fun. I think the movie is great, and I think the score is very different for me. You really feel part of a team, and I had a blast. I don’t feel like a composer, off in an ivory tower. You feel like you’re sitting around a real round table. You can really write the craziest, most fun, silly, exciting music that you can think of, and collaborating with these filmmakers, Don Hall, was just so great. I think in animation, the great thing about it-and somebody else said this, not me-is that as a composer, you can do anything you want.